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Bloody Nose, Empty Pockets

Directed by: Bill Turner & Ross Turner | 2020 | 1h 38m | Unrated

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• General Admission – $10.00

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These are challenging times for everyone and while we have temporarily closed our theater for the greater good, we are truly pleased to announce a new initiative that will allow us to continue sharing cinematic gems with you by bringing the art house directly into your house! Thanks to Utopia & others, we now have the ability to offer our audience the chance to watch films which have not yet been made available on any other streaming platform! O Cinema has always been your mission-driven, community-based nonprofit art house theater and we remain dedicated to educating, entertaining and inspiring. Your support with this purchase will help O Cinema remain a cultural and cinematic beacon in our community.

Our new virtual cinema will allow us to continue sharing curated, cinematic gems with you by bringing the art house directly into your home while also helping support O Cinema.

On the eve of the 2016 U.S. presidential election, and on its final night before closing, a Las Vegas dive bar becomes a stage where its employees and barflies commiserate one last time. Filmmaking brothers Bill and Turner Ross train their keenly observed quasi-fiction on the lived-in atmosphere of a haunt, whose massed warmth and love conceal its patron’s worries—at least for a little while. BLOODY NOSE, EMPTY POCKETS is a carefully constructed yet oddly affecting record of an American sensibility at once straining to survive and ready for the end.

“By the time that the sun is up and Peggy Lee is singing “Is That All There Is?”, Bloody Nose, Empty Pockets has proven to be an impressively affecting and even slightly tragic piece about the homes away from home that provide comfort, as well as just how fleeting that comfort can feel in the bright light of day.”
– THE PLAYLIST

“Its moral identity aside, this is a staggering piece of filmmaking. The Rosses have a keen command of picture and motion; their film is riveting from the jump, swiftly and totally enveloping us in the bonhomie of Michael and his bleary company. Maybe the non-reality of it all isn’t worth fretting about.”
– VANITY FAIR

“The film is a beautifully empathetic work of art.”
– VOX