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Maps To The Stars

Directed By: David Cronenberg | 2015 | 1h 52m | Rated R

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O Cinema Wynwood

90 NW 29th Street, Miami (305) 571-9970

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General Admission – $11.00
Student/ Senior – $9.50
Members – $7.50
General admission tickets available online and at the door. Student and Senior tickets only available at the door.
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Meet the Weiss family, who are making their way in Hollywood rife with money, fame, envy, and relentless hauntings.

Havana Segrand (Julianne Moore) is a desperate middle-aged actress scheming to land the lead in a remake of a film her mother starred in years ago. Around this imploding star revolves a constellation of shady Tinseltown types: Dr. Stafford Weiss (John Cusack), a TV psychologist and self-help guru whose teen-idol son is going off the rails; Agatha (Mia Wasikowska), a pyromaniac who gets hired as Havana’s assistant; Jerome (Robert Pattinson), a limo driver, struggling actor and aspiring screenwriter; and various wives, agents, and phantoms who stroll periodically through the carnage.

Gleefully dissecting a milieu driven by all the wrong values, David Cronenberg’s MAPS TO THE STARS peels back Tinseltown’s skin-deep facade to reveal a dystopia that’s at once utterly alien and eerily recognizable.

Cronenberg’s elegant framing and camerawork are reminiscent of a photographer shooting wild fauna – he’s fascinated and amused by this strange land – but his fondness for horror and disturbing imagery eventually seep into the picture.
– MIAMI HERALD

Cronenberg’s dark comic blast into the dazzle and depravity of Hollyweird. Moore delivers a tour de force of ego unleashed. You can laugh with Maps to the Stars, but you can’t laugh it off.
– ROLLING STONE

Whenever Moore’s onscreen – which, thankfully, is often – Maps to the Stars works like gangbusters.
– VILLAGE VOICE

“There’s so much in this seething cauldron of a film, so many film-industry neuroses exposed and horrors nested within horrors, that one viewing is too much, and not nearly enough. Cronenberg has made a film that you want to unsee – and then see and unsee again.”
– THE TELEGRAPH

“Cronenberg never strays from the big picture of a world not only comprised of destructive impulses, but designed to breed more of them.”
– indieWIRE

“So crisply directed, furiously paced and gleefully performed that you go along for the ride.”
– THE ATLANTIC

“David Cronenberg pans satiric gold from the muck of celebrity ills, in a Tinseltown where reality depends on your dosage.”
– TORONTO STAR

“Cronenberg’s vision is as bright as a sunlamp, sterile as an operating theatre and still as a morgue.”
– GLOBE AND MAIL

“Moore delivers the film’s most consistently, fascinatingly insecure performance, embodying an entire industry’s desperation and determination within the fraying persona of a nearly-there has-been.”
– FILM SCHOOL REJECTS