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Men

Directed by: Alex Garland | 2022 | 1h 40m | Unrated

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O Cinema South Beach

1130 Washington Ave, Miami Beach (786) 471-3269

Additional information

• Adults – $11.00
• Older Adults (62+ years old w/ valid ID) – $9.50
• Students & Teachers (w/ valid ID) – $9.50
• Children (12 years old & under) – $9.50
• Military (w/ valid ID) – $9.50
• O Cinema Members – $7.50
(All tickets are available online and at the box office. Prices for special events and select screenings may vary. Please note ticket prices before you complete your purchase. All prices are subject to change without notice.)

All Miami Beach residents get 20% off Adult tickets on the FIRST MONDAY OF EVERY MONTH @ O Cinema Miami Beach! (w/ valid proof of residency)

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What begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears in MEN, visionary filmmaker Alex Garland’s (EX MACHINA / ANNIHILATION) feverish, shape-shifting new horror film.

In the aftermath of a personal tragedy, Harper (Oscar-nominee Jessie Buckley) retreats alone to the beautiful English countryside, hoping to have found a place to heal. But someone or something from the surrounding woods appears to be stalking her. What begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears in visionary filmmaker Alex Garland’s (EX MACHINA / ANNIHILATION)) feverish, shape-shifting new horror film.

“Garland’s bold, original version of what horror can be when it swaps tired old tropes for visceral, visionary thrills is an absolute game-changer.”
– TOTAL FILM

“It’s the sort of film that rattles you in three ways at once: through the grim candour of its themes, the chill precision of its craft, and the nightmarish throb of its images.”
– THE TELEGRAPH

“Men is nearly unique as a horror movie in Harper’s specific response to the threats she faces. But even as she parts ways with the usual wailing victim image, the film still holds onto its sense of the uncanny and horrific. Even seasoned body-horror fans may be shaken by where this film goes in terms of its bloody physicality.”
– POLYGON