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Sound City

2012, 106 minutes, USA, Unrated. Directed by Dave Grohl.

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O Cinema Wynwood

90 NW 29th Street, Miami (305) 571-9970

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General Admission $10.50, Student/ Senior $9.00, Members $7.50. General admission tickets available online and at the door. Student and Senior tickets only available at the door. ALL TICKET SALES ARE FINAL. NO REFUNDS. NO EXCHANGES. NO EXCEPTIONS.

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Deep in the San Fernando Valley, amidst rows of dilapidated warehouses, was rock n’ roll’s best kept secret: Sound City. America’s greatest unsung recording studio housed a one-of-a-kind console, and as its legend grew, seminal bands and artists such as Fleetwood Mac, Neil Young, Rick Springfield, Tom Petty, Metallica and Nirvana all came out to put magic to tape.

Directed by Dave Grohl (Nirvana, Foo Fighters) and featuring interviews and performances from the iconic musicians who recorded some of rock’s greatest albums at the studio, Sound City doesn’t just tell the story of this real-life rock ‘n’ roll shrine, it celebrates the human element of music as Grohl gathers some of rock’s biggest artists to collaborate on a new album. Using Sound City’s legendary analog console, together these artists continue to create musical miracles in a digital world.

“Dave Grohl remains unflappable as a first-time director in his entertaining and informative documentary Sound City, a loving tribute to a defunct Van Nuys recording studio.” – Miami Herald

“Mr. Grohl has put a lot of affection into this film, and it shows.” – New York Times

“Grohl treats us to just more than an hour celebrating the history of Sound City, the Van Nuys dump where a clutch of rock’s great records were bashed out-but the movie’s 107 minutes long.” – Village Voice

“An exhilarating history of the studio that spawned countless rock classics, not to mention a welcome reminder to aspiring musicians to step away from the laptop once in a while.” – Hollywood Reporter

“The first-time director smartly sees Sound City as a surrogate for the overall industry at any given point in the past four decades, and he varies the tone of the interviews from fondly-regarded serendipity to deep-seated regret.” – Film.com