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Three Billboards Outside Ebbing, Missouri

Directed by: Martin McDonagh | 2017 | 1h 55m | Rated R

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Wed, Nov 22nd
7:00PM 9:25PM
Fri, Nov 24th
2:20PM 4:40PM 7:00PM 9:25PM
Sat, Nov 25th
2:20PM 4:40PM 7:00PM 9:25PM
Sun, Nov 26th
2:20PM 4:40PM 7:00PM 9:25PM
Mon, Nov 27th
9:25PM
Tue, Nov 28th
7:00PM 9:25PM
Wed, Nov 29th
9:25PM
Thu, Nov 30th
7:00PM
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O Cinema Wynwood

90 NW 29th Street, Miami (305) 571-9970

Additional information

• General Admission – $11.00
• Student / Senior – $9.50
• Members – $7.50

General Admission, Student / Senior & Members tickets are available online AND at the door.

ALL FILMS START EXACTLY AT THE LISTED TIME, AND ALL TICKET SALES ARE FINAL. NO REFUNDS, NO EXCHANGES, NO EXCEPTIONS.

A frustrated and grieving mother (Frances McDormand) antagonizes her local police force (including Woody Harrelson and Sam Rockwell) to call attention to the lack of progress in the search for her daughter’s killer, in the latest from dark-humour master Martin McDonagh.

Strong, brave, fed up with bullshit, and desperate for justice, Mildred Hayes might be 2017’s Woman of the Year. After months have passed without an arrest in her daughter’s murder, Mildred (Academy Award winner Frances McDormand) makes a bold move, postering three signs leading into her town with a controversial message directed at William Willoughby (Oscar nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command, Officer Dixon (Sam Rockwell) — an immature mother’s boy with a penchant for violence — gets involved, the battle between Mildred and Ebbing’s law enforcement escalates.

Martin McDonagh (who won an Academy Award for his debut short film) has created a darkly comic drama that is smart, narratively unpredictable, and filled with superb performances. As with McDonagh’s previous work (In Bruges, Seven Psychopaths) the focus of THREE BILLBOARDS is on character-driven plot. Even McDonagh’s most irredeemable characters are momentarily sympathetic and evolving, allowing us to embrace the hopefulness that implies.

On its surface, THREE BILLBOARDS is a film about grief, forgiveness, anger, and resilience. Yet McDonagh layers in myriad observational moments about racism, war, sexism, and a deeply divided society, all captured in this fictional Missouri town. Ever present is a low-simmering tension that occasionally bursts into violence but always in the service of releasing emotion that a character is unable to articulate.

“Anger is an energy in Martin McDonagh’s brilliant Three Billboards Outside Ebbing, Missouri, one of the best films of the year.”
– ROGEREBERT.COM

“McDonagh’s latest work is simply exceptional; a film so rich with narrative fluidity, profane laughs, standout performances and complex character studies that its tremendous emotional hits–often arriving when you least expect them–might just leave you agog.”
– THE FILM STAGE

“Those familiar with McDonagh’s work will be unsurprised to learn that Three Billboards is a bold and showboating affair, robustly drawn and richly written; a violent carnival of small-town American life. Yet it has a big, beating heart, even a rough-edged compassion for its brawling inhabitants.”
– THE GUARDIAN